![]() They dive straight into the next verse with the same instrumentation as the second part of the first verse. In the second part of this verse a Theramin or Ebow type synth sound plays the lead counter-melody from the intro. The chorus is exactly the same as before. With such a strong melody and hard-hitting production you don’t really need to add anything to make people want to hear it again. With that hard-hitting chorus a breakdown section is a perfect way to make the final chorus even bigger. The beat drops out and all we’re left with is a lonely vocal and the lead line in the background. ![]() Background “oohs” fade in with the synthesizer texture for the second half before the whole band punches in for the final chorus. ![]() I’ve left all the interesting parts to discuss about the chorus until the end. The fact is that there are some pretty subtle production things to do with the rhythm of the beat as well as the melody of the vocal that make the song so strong. ![]() Listen especially to the vocal jumping an octave in the chorus, really punching the intensity of the melody home. ![]()
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